Architects of Emortality Read online




  Table of Contents

  Front

  Investigation: Act One The Trebizond Tower

  Intermission One: A Lover in the Mother's Arms

  Investigation: Act Two: Across Manhattan

  Intermission Two: A Pioneer on the Furthest Shore

  Investigation: Act Three: Across America

  Intermission Three: A Mind at the End of Its Tether

  Investigation: Act Four: The Heights and the Depths

  Intermission Four: A Teacher and His Pupil

  Investigation: Act Five: From Land to Sea

  Intermission Five: A Failed God and His Creation

  Finale: Eden Approached from the East

  Epilogue: Happily Ever After

  End of Book

  Front

  Architects of Emortality

  Brian Stableford

  This is a work of fiction. All the characters and events portrayed in this book are either products of the author’s imagination or are used fictitiously.

  ARCHITECTS OF EMORTALTTY

  Copyright © 1999 by Brian Stableford

  All rights reserved, including the right to reproduce this book, or portions thereof, in any form.

  Edited by David G. Hartwell

  A Tor Book Published by Tom Doherty Associates, LLC 175Fifth Avenue New York,NY10010

  www.tor.com

  Tor® is a registered trademark of Tom Doherty Associates, LLC.

  ISBN: 0-812-57643-8 Library of Congress Catalog Card Number: 99-22201 First, edition: October 1999 First mass market edition: May 2000 Printed in the United States of America0987654321 For Jane, and all who nourish fond remorse Acknowledgments A much shorter and substantially different version of this story was published in the October 1994 issue of Asimov’s Science Fiction. I owe considerable debts of gratitude to Gardner Dozois, for publishing that novella and reprinting it in his annual collection of the Year’s Best Science Fiction, and to Charles Baudelaire, Oscar Fingal O’Flahertie Wills Wilde, the original Gustave Moreau, John Milton, and Nathaniel Hawthorne, without whose contributions and general inspiration the story would have been much slighter. I should also like to thank Sonia Feldman for the shamirs, Jane Stableford for proofreading services and helpful commentary, and Andy Robertson for being prepared to claim that he had read every word.

  Redundant returns removed. TOC Added. eBookMan v1.1

  CONTENTS

  Front

  Investigation: Act One The Trebizond Tower

  Intermission One: A Lover in the Mother's Arms

  Investigation: Act Two: Across Manhattan

  Intermission Two: A Pioneer on the Furthest Shore

  Investigation: Act Three: Across America

  Intermission Three: A Mind at the End of Its Tether

  Investigation: Act Four: The Heights and the Depths

  Intermission Four: A Teacher and His Pupil

  Investigation: Act Five: From Land to Sea

  Intermission Five: A Failed God and His Creation

  Finale: Eden Approached from the East

  Epilogue: Happily Ever After

  Initiations: A King in His Countinghouse

  Gabriel King stared out of the window of his thirty-ninth-floor apartment in the TrebizondTower. He was looking at theislandofManhattan, where the apparatus of civilization was being slowly but surely demolished. The old skyline was decaying; the sharp sharks’ teeth of the traditional skyscrapers were collapsing into mere blunted molars. One by one, the oldest buildings in the world were gently folding into themselves, meekly putting themselves away.

  The sight made Gabriel feel slightly sad. It should, in theory, have had the opposite effect; he, after all, was the man primarily responsible for the many kinds of rot that had set in and the voracity of their consumption. Every minute diminution of the classic silhouette sent a surge of credit into his multifarious bank accounts. The MegaMall was paying him generously for his efforts, as it always did. Those who had served the MegaMall well—as Gabriel always had, in dealings under the counter as well as above it—were always well served in their turn*****.

  The squat foundations of the new city were already in place behind and among the decaying edifices, and the shamirs were ready to begin the reshaping. They too were Gabriel’s slaves, and their labors would maintain the flow of his capital, but contemplation of the endeavors and rewards to come could not lift his mood.

  The simple fact was that New York had always stood, in Gabriel’s quintessentially American consciousness, for the world, and he could not see a world the without a slight pang of regret. He had not been born in the USNA—his nominal citizenship was Australian—but he had always been a demolition and construction man, a materialist, and an ardent champion of progress. Those were the core values of the real America: the America that knew no geographical boundaries, because it was a dream. To witness the demolition ofNew Yorkwas, for Gabriel, to witness the end of a historical epoch. He had witnessed the ending of mere eras and felt nothing but joy in the contemplation of progress, but this was different. The new dawn which his shamirs were programmed to break for the MegaMall was the dawn of an epoch: the epoch of the New Human Race. It was not merely Old New York that had been declared redundant; it was the people who had lived in it for the last few hundred years.

  The personal shamirs that had seen Gabriel’s body through two full rejuvenations and countless cosmetic patch-ups had all but exhausted their resources. With luck he might live for another thirty or forty years, but the chances of his mind surviving a third full rejuve were very slim indeed. For the moment, he was compos mentis, with no more holes in his memory than the average one-hundred-and-ninety-four-year-old, but the integrity of his personality had grown perilously brittle; any sudden jolt might shatter it. The shadow of death was hanging over him, ready to descend upon his person as it was now descending upon Old New York.

  When he looked upon the rotting of New York, therefore, Gabriel saw the end of his world, and everything that it had meant. At long last, progress had outstripped him and all of his kind. Progress would go on, but he and others like him could not. Even if he survived another sixty years, or a hundred, he could make no further progress—and nor could any man of his obsolete kind.

  He was what he was; for him, the process of becoming was finished. Any sons born after him would be members of a new species, children of the MegaMall and the Architects of Emortality.

  The miracle was, he supposed, that he only felt slightly sad. Fortunately, he had led a good and productive life, as a loyal servant of the MegaMall. He had never reached the upper echelons even of its servant class, let alone its Inner Circle, but he had been richly rewarded. Nor was wealth the limit of his good fortune, he told himself; although he could not claim a place in the new world that he was helping to build, he still had pleasures in store. There was much in life that could still be savored. Within the hour, he knew, his sadness would be lifted—for a while.

  Gabriel brushed the back of his right hand over his lips, wiping away a trace of moisture which had accumulated in the corner of his mouth. He had no difficulty whatsoever in visualizing the new skyline which would eventually replace the one already decayed. He had seen it often enough in virtual reality, modeled with exquisite care, lit by a sky much brighter than the sullen one which loomed over the city now.

  The new edifices would not reach for the heavens in the same thrusting and predatory fashion as the old. Their discreet curves would be the harbingers of a new era of harmony and stability: an era in which the New Human Race would put an end forever to death and its terrible handmaidens, angst and war.

  The carefully worded but unvoiced thought brought forth an unexpectedly sour surge of resentment. “The
Age of the Human Herbivores,” he murmured, speaking loudly enough for the apartment’s recorders to catch the words, although he was not entirely sure that he wanted evidence of a childish explosion of envy to remain on the record. “The Cud-Chewing Era.” The wave of resentment died quickly enough, and the manufactured contempt with it. Intellectually, Gabriel did not begrudge the New Human Race its dreams, and he was not a man to let his emotions get the better of his intellect. The judgment of his intellect was—as it had to be—that the demolition of New York was work of which a man of his sort should be proud. It was, after all, a fitting culmination of his career.

  Long ago, while Gabriel had been a student at Wollongong, someone—probably Magnus Teidemann—had told him that sharks’ teeth were not like the teeth of humans. Sharks’ teeth were continually renewed, new ones growing in the rear and migrating forward to replace the old as they were worn down by use. New York’s skyscrapers had followed that pattern for more than five hundred years; whenever one had been removed, another had sprung up to take its place, usually brighter, sharper, and more durable. Despite piecemeal change, the whole ensemble had remained essentially the same. No one had ever taken on the entire island before, let alone the entire city. This was the first time that the whole set of shark’s teeth had been swept away, along with the implicit shark. From now on, New York would be the mouth of a very different social organism. Gabriel was proud to have been the man appointed to that task. In fact, he was very proud—intellectually speaking, of course.

  Gabriel felt perfectly entitled to think of himself as the man appointed to the task, although a pedant would have insisted that he was merely one of many, and perhaps not the most important. History would give primary credit to the planners who had pronounced a sentence of death on the old city and the architects who had designed the new. If the engineers who actually carried out the work were to be remembered at all, they would be seen as mere applicants of a suite of technologies that still bore the name of their ancient founder, Leon Gantz, and a nickname borrowed from the legend of Solomon.

  Gabriel knew well enough that when the day finally came for the news tapes to record his obituary and commemorate his life, he would be described as a gantzer and a master of shamirs, as if all he had ever done was to use another man’s tools—but he also knew that the description would be misleading and unfair. Leon Gantz had only laid the foundations of biological cementation and deconstruction; it was not until the late twenty-second century that the anonymous nanotechnologists of PicoCon had succeeded in forming the first vital partnership between the organic and the inorganic, and not until the mid-twenty-fourth century that the MegaMall had delivered the full spectrum of modern nanomanipulators into the eager hands of ambitious young men like himself.

  Leon Gantz, the PicoCon teamworkers, and the MegaMall’s backroom buccaneers had all been scientists, but Gabriel King was a practical man, a materialist through and through. In his own estimation, Gabriel was a maker, and an artist in the truest sense of the word—a truer sense, at any rate, than the sense in which the word was used by certain people he could name.

  “Posturing apes in fancy dress,” Gabriel murmured, again speaking loudly enough to impress the words upon the microscopic ears with which all the apartment’s rooms save one were liberally supplied. Being a practical man, Gabriel did not approve of the “posturing” by means of which certain so-called artists attempted to attract the public eye. Nor did he approve of “apes” who dedicated their lives to making ever more flamboyant versions of entities that were useless in the first place. Nor did he approve of “fancy dress”; his own suitskins were always gray or dark blue, always neatly tailored in such a way as to proclaim that they and he were good utilitarians, with no energy to spare for nonsensical display.

  Gabriel knew that there were some who thought that the work in which he was now engaged was an assault on nonsensical display. The would-be prophets of De-civilization had formed a particular hatred for New York and the supposed symbolism of its skyline. It was, in their eyes, the ultimate city, and hence the ultimate symbol of the supposedly decadent past that the De-civilizers desired to obliterate—regardless of the needs and desires of the New Human Race.

  Gabriel was prepared to admit that if ever there was a city whose ugliness demanded that it be torn down and built anew, that city was Old New York, but he found talk of “eliminating the display of history” and “shedding the empty cultural heritage of the past” difficult to endure. He had more than a little respect for “the display of history,” on the grounds that if mankind’s mistakes were not made manifest as well as remembered, they might be repeated, even by a New Human Race engineered in the artificial womb for true emortality. To make this unrepentantly misshapen metropolis a scapegoat for antediluvian folly and greed seemed to him to be foolish and simpleminded.

  To Gabriel, as to all Americans in spirit, Manhattan was the last urban wilderness, the last geographically confined space on Earth where so many people so ardently desired to gather that it had been forced to grow further and further upward, extending its magnificently vicious fangs into gleaming blades of crystal and alloy. Given that the island had to be domesticated and made fit for habitation by the ironically titled Naturals, Gabriel would not have wanted the labor of its deconstruction to be entrusted to anyone else—but it was hardly surprising that the job had imported a sadness into his soul that he could not shake off and did not really want to.

  It was only natural—was it not?—that he should be unable to take as much delight in contemplation of the raising of the tame city as he was from contemplation of the devastation of the wild.

  “The devastation of the wild,” he repeated, aloud, in order that he could savor the phrase. Some thoughts were too precious to remain unspoken.

  Then the door chime sounded, and his sadness vanished like smoke as he turned away from the window. His heart was already beginning to beat a little faster in anticipation of delight.

  Gabriel checked the viewscreen, although he knew perfectly well who it was. As a conscientious utilitarian, he never received personal visitors in the many temporary homes which business forced him to adopt, except for purposes that were strictly personal. He was of the old school, which held that all professional matters should be consigned to virtual environments, where the full panoply of technical support was available—and he was also of the even older school, which held that the pressures of the flesh were best dealt with in the flesh.

  He was certain that the woman waiting to be admitted to the apartment was authentically young, not because he had expertise enough to detect a first-rate rejuve, but because the way she talked and the fact that she was here at all smacked of awesome naivete. At a distance, one might have judged that she looked like thousands of other young women, sculpted to a currently fashionable ideal, but at close quarters her uniqueness became obvious. Her eyes were wonderful, her hair utterly glorious. In an age where only the subtlest nuances could discriminate between the very beautiful and the extremely beautiful, she belonged to the furthest reaches of the extreme category.

  “Come in,” Gabriel said as he released the locks and slid the door aside.

  It seemed that she understood what it meant to belong to a very old school, because she had brought him flowers. “These are for you,” she said as she handed them over, smiling broadly. The blooms were like miniature sunflowers, and their densely clustered petals had the color and texture of nascent gold.

  “They’re beautiful,” Gabriel said. “I don’t think I’ve seen their like before.” “They’re new,” she said, still smiling. “An Oscar Wilde original.” Gabriel could not help falling prey to the slightest hint of a frown, but he turned his head so that his visitor would not see it, and the phrase he murmured—“That posturing ape!”—was pronounced too softly for her merely human ears to discern.

  Lest she ask him what he had said, and why, he was quick to add: “I have a vase somewhere. Should I put them in water, or do they requ
ire something more nourishing?” “Oh no,” she said. “They’re self-sufficient, provided that the atmosphere isn’t too dry. You can mount them on the wall if you don’t want them cluttering up a table.” Her gaze traveled around the walls as she spoke, offering silent comment on the fact that the apartment was unfashionably bare of vegetative decoration.

  “That’s all right,” Gabriel replied, a little more stiffly than he would have liked. He handed them back to her while he went to search for the vase.

  When they had first met, in the park, the woman had been delighted to find out who he was and what had brought him to the city. She had been fascinated to hear him talk about himself, and he had talked more freely to her than he had to anyone since the ninth and last of his bond marriages had come to the inevitable parting of the ways.

  She had told him almost nothing about herself, but that was probably because she had little or nothing to tell. Given the presumable difference in their ages, it was only natural that she should be content to listen and learn. When Gabriel had told her that he had been twice rejuvenated, and how long ago his second rejuvenation had been, her eyes had grown wide.

  “You must be one of the oldest men in the world,” she had said. “But you seem much better preserved than most others of your generation.” “I suppose so,” he had replied. “Many people—men and women alike—seem to come apart quite rapidly once the effects of their second full rejuve wear off, but I’ve been lucky, at least superficially. Internally, the balance of my organic and inorganic IT is way past critical. If I were to attempt another rejuve I’d very probably end up a vegetable, but if I can stay reasonably fit I can probably keep on getting older for another thirty years, and keep some faint echo of my fading looks until the day I die.” “You look wonderful,” she had assured him. “So wonderfully wise.” When he came back into the reception room the woman was standing at the window, exactly where he had been standing a few moments before. He hoped that she was admiring his handiwork—and that her admiration was not tainted by the slightest sadness. “Let me take the vase,” she said.

 

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